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That day at the office on Saturday Night and Sunday Morning offers a rousing blend of Stuart originals, classic covers and traditional hymns and that throw their arms around the whole history of not only country but modern American music. It felt like just another day at the office.” Traditional country touched me the deepest, but all of these other styles were relevant to me. The church house is the common denominator, and every form of music has a touch of the blues. It was kind of a reflection of how Mississippi is. I thought everybody's radio station was like that. Then afternoon was rock 'n' roll and top 40. At noon they played gospel music for an hour. 'One thousands watts of pure pleasure.' In the morning, they signed on with country music and farm reports. “Another part of my world, while growing up in Mississippi, was listening to our local radio station, WHOC.

That's a time-honored tradition, from Jimmie Rodgers to Hank Williams to Johnny Cash. “It is interesting to me that country stars can sing drinking and cheating songs authentically, then at some point during the evening or the broadcast, take their hats off and say, 'Friends, here's our gospel song.' If it’s the right messenger it seamlessly flows. “I've always thought that country music had a really unique relationship with gospel music,” Stuart says. On his latest release with his band The Fabulous Superlatives, the double-disc Saturday Night & Sunday Morning, Stuart captures all the authentic neon and stained-glass hues of country music – from love and sex to heartache and hardship to family and God – in twenty-three tracks. For over forty years, the five-time Grammy winning multi-instrumentalist, singer, songwriter, photographer and historian has been building a rich legacy at this very crossroads. No one understands these coordinates better than Marty Stuart. And on a deeper emotional and spiritual level, it resides where Saturday night meets Sunday morning. If you were to give country music an address, you might say it's at the corner of sacred and profane, two doors up from the blues and folk, and just across the street from gospel, R&B and rock 'n' roll.

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